25, that’s a lot.
going to be doing some byte shifting and log & transferring tonight.
nice
yay, I salvaged the RED sticker that Customs all but destroyed when they inspected the Discs.


Obsolescence Obsolete
Never on a road shall I ever meet
a camera from RED that is not so neat
as to blow me completely off my feet
This day, this very day, the 3rd Dec RED does it again. Check it out here,
What is obvious right off the bat that there are less, and dare I say more realistic, a number of possible configurations – from something like 2 trillion to 1,048,576. Also Jim has a lot so say of the options available to current RED One owners. One thing that is for sure is that you do not have to worry about your camera becoming obsolete – like a 4K camera is going to be obsolete (not in the next few years at least), because RED is looking after it’s loyal customers which is a big thing.
Also there is the option of a Scarlet 2/3 with 8x fixed zoom lens.
And what on earth are those images later on in the post?
A spiked RED Ball?
An Offroad RED System?
ha ha ha
Yayayayaayyy, I now wait with much anticipation, the discs have been shipped. From the OpenCut Forum in RED User:
Folks,
We’ve shipped all the discs. Many people have already indicated they’ve received their media.
We have six extra sets left over. If you want to join OC3, you can contact me directly at opencut@silverado.cc and we’ll get you registered.
First come, first served.
Tor
Yip first Jim comes out with the mind blowing RED announcements on the 13th November. Showing us a preview of the awesome modular options available at awesome resolutions and frame rates. All the while saying that things may change.
Have they?
On the 3rd Dec, only a day away, we are told that there will be a Big Change.
What will that be? I cannot guess nor sum up the ideas that people have put up on the RED User forum.
But I can post Jim’s words from the forum that he titled “Be Prepared”
It isn’t just the sensor, although that is a big cost. Passing large quantities of data requires a significantly more complex electronics package and heat management program. Add lower quantities of production to the mix and buying frame rate capability costs more. A lot more.
We are very excited about the updated release and I can’t see anyone being disappointed. But keep your expectations in check for a couple more days… if possible. ![]()
Jim
We reserve the right to refuse service to anyone with a bad attitude.
The 13th November 2008 will live in the history pages as a day of victory and amazement. Or Maybe not, maybe it will be the 3rd December 2008? “Everything Changes” as Jim from RED says, and he is right, but how much more awesome can things get for RED other than what was announced on the 13th November?
Check what was announced on the 13th here
Interesting…
The RedUser forum has be afire with activity with Jim starting off with:
“New announcement on Dec. 3rd. Everything has changed… just as we promised.
”
and, ummmm, expect more.
“The 13th was insignificant…”
thank goodness for that.
“It is imperative that we make the final decisions as late in the game as possible for two reasons:
1. We are learning a ton everyday.
2. Technology is advancing so quickly.
We have also learned that we need to keep our program as flexible as possible so upgrades can be done easily. We really do want Scarlet or EPIC to be your last camera purchase. Then, you can upgrade as we make modules better (expect that) and as you need them (not before).
This interaction with the community has been invaluable. While we have to filter out some of the “we want it all and we want it now” posts, the program is better for your suggestions and us learning to listen. The more we know about what we can (and can’t) do, the easier it is to listen. In the beginning, we had to ignore a bunch because we had no way to do it. Lots of great ideas, no roadmap to get them done. Things are different now.
I wouldn’t be surprised if things continue to change before release. The should. It is to your advantage… and mine. While we are paying overtime like crazy to execute as fast as we can, we have also learned that there is no rush to get it wrong. The announcement a couple of weeks ago was really important to set the tone for a system that interchanges and upgrades everything. Now we have some fairly significant new info to share.
What a fun ride… eh?
Jim”
Well, what could it be?
One thing is certain and that it that the Hype Engine is running wild, oh yes, and I am enjoying the ride as well. Good on ja Jim, good on ja RED, we need to feel the rush of technology steaming ahead especially in this world of Digital Cinema Cameras, and it’s fun.
Not completely unexpected.
Hot on the heels of Adobe’s updates.
But very interesting that it includes a Shake update, oooooo.
From Apple:
“Pro Applications Updates improve reliability for Apple’s professional applications and are recommended for all users of Final Cut Studio, Final Cut Server, and Logic Studio. Pro Applications Update 2008-04 addresses general performance issues and improves overall stability.
Applications included in the update:
What stands out for me is the R3D support in FCP and Color, mainly because I am currently waiting for RED footage from the OpenCut3 Competition. This is from RED (cut from Scott Simmons blog who got it from RED’s site):
“For Intel-based Apple Macintosh systems with Final Cut Pro 6.0.5 or above. The Final Cut Studio RED Installer provides the RED QuickTime Codec (v3.7.0), Log and Transfer (v1.0.0) functionality to import REDCODE RAW clips as either native REDCODE media (R3D’s) wrapped in QuickTime or the option to transcode them directly to Apple’s ProRes 422 codec. There is also a new specialized functionality for color grading native QuickTime wrapped R3D media in Color using the original RAW parameters (REDCODE plugin fro Color v2.7.0). Located in the download is a whitepaper PDF describing in detail this new, advanced way to edit REDCODE media, color grade and finish inside Final Cut Studio.“
Only noticed this now:
“Minimum system requirement on Intel-based Apple Mac systems is 2GB of RAM. RED recommends either a 4-core or 8-core Mac Pro Tower system with at least 2GB of RAM, a suitable graphic card (such as NVIDIA 8800) and high speed storage for this new end-to-end native REDCODE as QuickTime files or the existing REDCODE transcode to ProRes 422 workflow“
That means I can’t moan if things get slow and sticky with the previous generation MBP that I am using, hmmm. At least I have external SATA drives. Praying big time for an 8 core extreme :-O which will be seriously required at the highest of spec’s if my prayers get answered for a RED Epic FF35 wowser.
As for Shake 4.1.1 I could not find any information other that it
“This update addresses compatibility issues for QuickTime codecs greater than 8 bits.“
but nice to know that Apple has not left the Shake users in the dust.
An interesting thing, is this 4K RED RAY thing, interesting indeed. No confirmed Specifications as yet and only a proposed release in 2009 – which was changed from Early 2009 to just 2009 (meaning what, I do not know).
This is what RED has to say:
Now wouldn’t this be a nice thing to have for the OpenCut competition, nice indeed.
I just wonder what will make this different from a Blu-Ray player? Ok maybe the 4K part and the native support for the RED Codecs. But could I not just copy those files onto a normal Blu-Ray and use software on the computer to play/read the data. And surely it would be better to use a high speed RAID setup than an optical disk drive?
Check out the ProLost Post about the RED One Announcements. It’s just too huge.
Imagine a 28K image at 25fps, no way. Ok $55000 for the brain part is a lot for most but for those few who can and do go this route please swing by my place and record my son at 28K, hehehehe
Man alive. Suddenly my wish list is not that extreme any more.